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theatre

  • The Seagull review: Cate Blanchett camps it up at the Barbican

    March 7, 2025

    The Seagull | The Barbican | ★★★★☆ “I know that’s not what you expected,” says Zachary Hart’s Simon as he dismounts from his quad bike. Neither did I expect him to whip out a guitar and start belting out Billy Bragg’s The Milkman of Human Kindness. But this is not your run-of-the-mill Chekhov adaptation. This [...]

  • Punch at the Young Vic: A powerful look at restorative justice

    March 7, 2025

    Punch | The Young Vic | ★★★★☆ Jacob was “itching for some fucking action”. So begins this dramatisation of the true story of Jacob Dunne, who killed 28-year-old paramedic James Hodgkinson in an unprovoked attack on a drunken New Year’s Eve with one fatal blow. Jacob did not mean to kill James, but in the [...]

  • I hate immersive theatre. Can the British Pullman’s murder mystery change my mind?

    February 21, 2025

    The British Pullman's latest offering invites guests to solve a murder mystery on board. Can it win over haters of immersive theatre?

  • Much Ado About Nothing: Tom Hiddleston stars in glitterbomb show

    February 20, 2025

    Much Ado About Nothing | Theatre Royal Drury Lane | ★★★★★ Jamie Lloyd’s production of Much Ado About Nothing is a blockbuster of such proportions the entire street outside the Theatre Royal Drury Lane was closed so fans could gather en masse to catch a glimpse of Tom Hiddleston and Hayley Atwell. The festival vibe [...]

  • Unicorn play review: Mike Bartlett as sharp as ever with Stephen Mangan throuple play

    February 14, 2025

    Unicorn play review and star rating: ★★★★ Through plays like King Charles III and Cock, Mike Bartlett has delivered some of the freshest-feeling contemporary writing about the way we live our lives today, particularly to do with sexuality and dating. Cock with Jonathan Bailey became one of the hardest tickets to land in the West [...]

  • Three Sisters at The Globe: Tragedy reimagined as farce

    February 13, 2025

    The bijou, candlelit stage at The Globe’s Sam Wanamaker Playhouse gives the feel of a doll’s house to this production of Anton Chekhov’s Three Sisters. Dressed in puffy, floaty period costume and framed against exquisite wood panelling, the actors seem like they’ve been picked up and placed on the stage to read their lines rather [...]

  • Elektra starring Brie Larson is a strange, boring play

    February 7, 2025

    Elektra at the Duke of York’s Theatre | ★★☆☆☆  After two and a half millennia, Sophocles can still pull in a crowd. This week saw the opening of Oedipus at the Old Vic, in which professional Creepy Lil’ Guy Rami Malek drawled his way through a thrilling evening of EDM and interpretive dance. In recent [...]

  • Oedipus at the Old Vic review: A freaky fever dream

    February 6, 2025

    You can perform impossible feats, be a wise and respected leader, even solve the riddle of the Sphinx – but if you end up shagging your mum, that’s the only thing people will remember. This delirious reimagining of Sophocles’ tragedy of Oedipus, king of Thebes, is a freaky fever dream, told here from the point [...]

  • Mamma Mia and Hamilton help Cameron Mackintosh’s West End empire towards £200m

    January 3, 2025

    The continued popularity of Les Miserables, Mamma Mia and Hamilton has helped push sales the West End theatre empire run by Sir Cameron Mackintosh to almost £200m. For the year to 31 March, 2024, Sir Cameron’s group has reported a turnover of £199.1m, up from the £185.8m it posted for the prior 12 months. Newly-filed [...]

  • Harry Potter and the Cursed Child maker remains in the red amid West End troubles

    December 20, 2024

    The company behind the Harry Potter and the Cursed Child stage play remains in the red amid falling sales and show closures, it has been revealed. The joint venture which produces the show across the world has reported a turnover of £41.3m for the year to 31 March, 2024, down from the £45.2m it achieved [...]

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